I have always loved ballet. Even though I never danced
myself, classical ballet is my favorite dance art form; the more tutu the
better. Living now in Raleigh, North Carolina, we have been so fortunate to
having the professional Carolina Ballet since 1997. I had season tickets all
those years, looking forward to every single performance.
Even the greater my pleasure when I recently had an
opportunity to introduce some of the dancers to MELT.
While watching the performances and the performers, it
was always quite obvious to me that all that grace that I admire so much is the
result of rigorous training, and I was conscious of the fact that injuries are
the inevitable by-product of such training.
Over the last 5 years of teaching MELT, I have seen
enough of its beneficial results on many bodies that I knew that its positive
effects could be felt equally by a professional dancer as by weekend warrior or
somebody recovering after a hip or knee replacement surgery.
So it was not surprising to me on some level to hear the
same comments about some of the MELT length exercises that I am used to hear
from my more conventional class participants. The sensation of length beyond ordinary
stretching which can only be described as ‘hurting so good’.
What I absolutely had to admire, though, was the amazing
ability of the dancers to take my verbal instructions and translate them into
body movement. Those familiar with MELT know that the greatest impact is often
made by the smallest changes in body position, and those require a great deal
of body awareness. And while this is hardly unexpected, it is nonetheless
astounding to watch.
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